Andrew F. Jones

-

-

Earle H. Waugh and

Michael Frishkopf

-

Victor A. Vicente

-

-

-

Su Yin Mak

-

-

Fumitaka Yamauchi

-

-

-

James A. Steintrager

-

-

-

Andy Hamilton

Introduction: From Acousmatic Split to Technologized Splatter

-

Technology, Change, and the Music of Sufi Chanting in Egypt

-

Strange New Worlds? Musical Instruments and Cultural and Temporal Coding in Indian and Turkish Science-Fiction Film

-

Pitching the Sale: A Cross-cultural Comparison of Operatic Topoi in Television Commercials

Policing the Sounds of Colony: Documentary Power and the Censorship of Korean Recordings in the Age of Performative Reproduction

-

Metal Machines, Primal Screams, Horrible Noise, and the Faint Hum of a Paradigm Shift in Sound Studies and Sonic Practice

-

The Acousmatic Thesis and the Nature of Rhythm